To create the shadow, I use a shield and a dagger stroke aimed right at the edge of the template. Our source is from above so the top portions of the bevel will be highlighted and the bottom shadowed. Since it is transparent a little bit of overspray is not a problem.Ĭreate your shadows and highlights according you your light source and keep it consistent. ![]() ![]() For this piece we have chosen to use a transparent purple mixed in black. Time to start bevelling! Using a loose hand shield we will create the edge of the bevel based upon where the light source is. In this picture you can see that the artwork on the top of the tank is done and you get an idea of where we are heading with the tutorial.ģ. Once that is finished, the first thing we will weed out is the contour cut or the bevel, on the tribal art.Ī contour cut of 1/8″ gives you an area to work with that is easy to control, and you can shade on the darker side without getting color all over the place.Ģ. This is a quick purple perl sprayed through a fishnet stocking. For added depth and design, we have chosen to add a background texture inside the “framework” of the tribal. Once the bike is in black, We are ready to start the artwork. Black covers very well over a silver ground coat.ġ. This way is just cleaner and less troublesome. Spaying black then the silver graphics always seems to end up contaminating the black with silver overspray. There are a couple reasons why we like to do it this way. For this project, we first painted the bike silver, then applied the graphics. Once the shape was finessed, an 1/8″ contour was added and the file printed. The tribal graphics were created in CorelDRAW. ![]() The following technique is a really simple way to go about it. We have had a lot of requests for a How To on beveled tribal graphics.
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